Wednesday, 10 September 2014

Term Three blog 11


Machine-Vimeo


Title: Tattooing in slow motion
Length: 2:50
Author: Allison Bagg
Link: http://www.buzzfeed.com/abagg/watching-someone-get-a-tattoo-in-slow-motion-will-make-you-f
Tattoo's relate to cultural religions,communities,gangs and traditions.Preparing a tattoo machine takes time to practise.Tattoo machines will need its power supply and other important essentials.The tattooist begins his session with his faded pen design.Then proceeds to use his sharp pointy needle to penetrate your skin as the tattooist stretches your skin to outline his/hers design.Once the session is successfully completed the tattooist then apply's a special ointment and wraps with a cling wrap to prevent infections and stop irritation from clothing.Depending on size,tattoo's can take as little as half an hour to seven hours or more.Practising tattooing takes a long period of time between 1-4 Years of studying a apprenticeship,even longer.It takes a special skill to master the technique which involves in bedding ink into ones skin and creates an art piece that will last forever.
Angles: Extreme Close-up, all slow motion quite memorizing, skin relates to a look alike waterbed.

Monday, 8 September 2014

Term Three Blog 10


Manual








The Burning Bush by Earsaregood






ISO: The ISO needs to be quite high to capture the light from the sparks. Your camera should be set to 1600 to get the best image


WB: Dark


Shutter: Slow


Aperture: F8


Camera Angle: Neutral View


Cropping: 16:9 ratio for wide screen affect


Composition:


Community:

Term Three Blog 9



Diffused, Direct and Reflect


These photographs are my week 6 task, i couldn't find any rooms with enough light with the pitch of dark to make these shots perfect hence having the ISO adjusted on the camera, these simple effects were done using a reflector and a light source.





single front light flash







Single Direct light source (room was to bright )







Signle diffuse light source


Term Three Blog 8


Fore-ground, Mid-Ground, Back-Gound. - Hobbs





Fore - Ground Photograph the handle being the fore ground (main focus) Me, being the middle / Mid ground and the desk being the Back Ground





Back - Ground Photograph showing the handle in the back, it was a bit hard to focus on the handle ans the camera was finding it hard to focus on it, the red fire hydrant door being the middle and the handle being the fore shot.





Mid - Ground - the handle being the fore ground but the focus being on me (mid ground) and the hallway doors and desk being the background.




Term Three Blog 7 Community: dairy farming
































Sunday, 7 September 2014

Term Three Blog 6



Dear Alien

So dairy cows are white and black animals sometimes fully white or black, but most commonly white with black spots. Dairy farming is where cows are milked a white liquid "milk" comes out of the bottom of the cow called the udder on the bottom of the cow on a big scale. Dairy cattle (also called dairy cows or milk cows) are cattle cows bred for the ability to produce large quantities of milk, from which dairy products are made. Dairy farming in New Zealand began from small beginnings during the early days of colonization by Europeans. The income from dairy farming is now a major part of the New Zealand economy, becoming an NZ$11 billion industry by 2010.

Monday, 1 September 2014

Term Three Blog 5



Interview with Ans Westra



Q: Where where you born?

A: I was born in Leiden, Netherlands 1936


Q: When did you move to New Zealand?

A: I moved to New Zealand in 1958


Q: When was your first introduction to photography?

A: When I was A teenager my stepfather owned a Leica camera, and took lots of photos with it.


Q: Where did you study photography?

A: I taught myself, experimenting and taking lots of photos on my own time.


Q: What first inspired you to pursue photography?

A: As a child I went to the Family of Man exhibition and that really made a huge impact on me.


Q: Did you join any groups while pursuing photography?

A: In 1958 I joined a camera club and worked in various local photographic studios.



Q: Why do you work mostly on the Maori community?

A: Because I'd developed my own style here. I found what I could do best. So I didn't really find my way again in Holland, probably because I'd started off here, been too far away from it.